{"id":844,"date":"2015-01-08T17:31:18","date_gmt":"2015-01-08T16:31:18","guid":{"rendered":"https:\/\/www.christopher-rowe.de\/aboutme\/presse\/"},"modified":"2023-09-21T15:01:28","modified_gmt":"2023-09-21T13:01:28","slug":"press","status":"publish","type":"page","link":"https:\/\/www.christopher-rowe.de\/en\/ueber-mich\/press\/","title":{"rendered":"Press"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\n<h1 class=\"wp-block-heading\">Press<\/h1>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">The foreign look<\/h3>\n\n\n\n<div style=\"height:48px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Ein Gespr\u00e4ch mit Kamerafrau <a href=\"https:\/\/medianikova.com\">Aleksandra Medianikova<\/a> moderiert von Andr\u00e9 Herrmann \u00fcber die Arbeit von Kameraleuten beim dokumentarischen Drehen im Ausland.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:67%\">\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/www.christopher-rowe.de\/wp-content\/uploads\/2023\/08\/Der-Fremde-Blick-Film-TV-Kamera-05-2018.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed of Der Fremde Blick - Film &amp; TV Kamera 05-2018.\"><\/object><a id=\"wp-block-file--media-e0a2608f-2405-408d-9a60-7367da72d585\" href=\"https:\/\/www.christopher-rowe.de\/wp-content\/uploads\/2023\/08\/Der-Fremde-Blick-Film-TV-Kamera-05-2018.pdf\">Der Fremde Blick &#8211; Film &amp; TV Kamera 05-2018<\/a><a href=\"https:\/\/www.christopher-rowe.de\/wp-content\/uploads\/2023\/08\/Der-Fremde-Blick-Film-TV-Kamera-05-2018.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-e0a2608f-2405-408d-9a60-7367da72d585\">Download<\/a><\/div>\n\n\n\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div style=\"height:9px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">AG DOK: Kameratest unter realen Bedingungen<\/h3>\n\n\n\n<div style=\"height:19px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Bericht \u00fcber einen Kameratest, den Colorist Felix Trolldenier 2016 f\u00fcr die AG DOK konzipierte und postproduzierte, und von mir als DoP mit einigen Kollegen zusammen durchgef\u00fchrt wurde. Der Test umfasste alle g\u00e4ngigen digitalen Kameras, die f\u00fcr Dokumentarfilmer:innen relevant sind. Die Hauptkriterien waren Dynamikumfang, Farbwiedergabe und Ergonomie.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-film-amp-tv-kamera wp-block-embed-film-amp-tv-kamera\"><div class=\"wp-block-embed__wrapper\">\n<blockquote hcb-fetch-image-from=\"https:\/\/www.filmundtvkamera.de\/technik\/ag-dok-kameratest-unter-realen-bedingungen-1-2\/\" class=\"wp-embedded-content\" data-secret=\"cKCfFuuBNH\"><a href=\"https:\/\/www.filmundtvkamera.de\/technik\/ag-dok-kameratest-unter-realen-bedingungen-1-2\/\">AG DOK: Kameratest unter realen Bedingungen (1-2)<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8222;AG DOK: Kameratest unter realen Bedingungen (1-2)&#8220; &#8212; Film &amp; TV Kamera\" src=\"https:\/\/www.filmundtvkamera.de\/technik\/ag-dok-kameratest-unter-realen-bedingungen-1-2\/embed\/#?secret=acDT7pbk3E#?secret=cKCfFuuBNH\" data-secret=\"cKCfFuuBNH\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n<\/div><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<p>Der ausf\u00fchrlicher Testbericht ist auf der Internetseite von AG DOK abrufbar. Danach folgten regelm\u00e4\u00dfig weitere Tests, um neue Kameramodelle zu ber\u00fccksichtigen, insbesondere der Trend zu Vollformatkameras, die alle Kamerahersteller 2018 auf den Markt brachten. <\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-text-align-center\"><a href=\"https:\/\/agdok.de\/de_DE\/themes-list\">AG DOK &#8211; \u00dcbersichtsseite mit allen Tests<\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/agdok.de\/de_DE\/kameratest\">AG DOK &#8211; Gro\u00dfer Kameratest 2016<\/a><\/p>\n\n\n\n<p class=\"has-text-align-center\"><a href=\"https:\/\/agdok.de\/de_DE\/kameratest2019\">AG DOK &#8211; Test Vollformat-Sensor Kameras 2019<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\n<div style=\"height:56px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Kom\u00f6die mit zwei Kameras<\/h3>\n\n\n\n<div style=\"height:56px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Reportage von Giesela Wehrl \u00fcber meine Arbeit am Spielfilm &#8220;Unter Strom&#8221;, mit besonderem Augenmerk auf die szenische Arbeit mit zwei Kameras.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:67%\">\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/www.christopher-rowe.de\/wp-content\/uploads\/2015\/01\/Film-TV-Kameramann-Okt-08.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed of Film &amp; TV Kameramann, Okt 08.\"><\/object><a id=\"wp-block-file--media-c2915126-b0e7-4a83-a37b-205cdaf9eb2f\" href=\"https:\/\/www.christopher-rowe.de\/wp-content\/uploads\/2015\/01\/Film-TV-Kameramann-Okt-08.pdf\">Film &amp; TV Kameramann, Okt 08<\/a><a href=\"https:\/\/www.christopher-rowe.de\/wp-content\/uploads\/2015\/01\/Film-TV-Kameramann-Okt-08.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-c2915126-b0e7-4a83-a37b-205cdaf9eb2f\">Download<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\n<div style=\"height:53px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Bandlos&#8230;<\/h3>\n\n\n\n<div style=\"height:47px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>F\u00fcr einen Dokumentarfilmdreh in Nigeria und Niger entschied ich mich f\u00fcr die Sony PDW-530 &#8211; damals die erste Kamera, die statt mit Kassetten auf optischen Discs aufzeichnete, die erste Generation des heute sehr gebr\u00e4uchlichen XDcam-Formats. Dieser selbst geschriebene Artikel berichtet von meinen Erfahrungen mit der neuen Technik und wie ich mit dem pl\u00f6tzlichen Ausfall der Kamera mitten in der W\u00fcste umging.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:67%\">\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/www.christopher-rowe.de\/wp-content\/uploads\/2015\/01\/Film-TV-Kameramann-Nov-04.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed of Film &amp; TV Kameramann, Nov 04.\"><\/object><a id=\"wp-block-file--media-016091af-77c6-47f8-b754-fe4d091ceb61\" href=\"https:\/\/www.christopher-rowe.de\/wp-content\/uploads\/2015\/01\/Film-TV-Kameramann-Nov-04.pdf\">Film &amp; TV Kameramann, Nov 04<\/a><a href=\"https:\/\/www.christopher-rowe.de\/wp-content\/uploads\/2015\/01\/Film-TV-Kameramann-Nov-04.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-016091af-77c6-47f8-b754-fe4d091ceb61\">Download<\/a><\/div>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:25px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div style=\"height:60px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33%\">\n<div style=\"height:62px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h3 class=\"wp-block-heading\">Wo die wilden Kerlen wohnen<\/h3>\n\n\n\n<div style=\"height:41px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p>Meine erste Geo-Reportage war gleich die aufregendste, der Dreh geh\u00f6rt bis heute zu den H\u00f6hepunkten meiner Karriere. Regisseur Marc O. Eberle beschreibt, unter welchen unm\u00f6glichen Bedingungen wir das gr\u00f6\u00dfte Fest der Welt dokumentierten, allein unter 70 Millionen Pilger am Ufer des Ganges<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:67%\">\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/www.christopher-rowe.de\/wp-content\/uploads\/2015\/01\/Film-TV-Kameramann-Jun-01.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Embed of Film &amp; TV Kameramann, Jun 01.\"><\/object><a id=\"wp-block-file--media-f6739756-3577-4deb-89bf-e2ddc9a2226a\" href=\"https:\/\/www.christopher-rowe.de\/wp-content\/uploads\/2015\/01\/Film-TV-Kameramann-Jun-01.pdf\">Film &amp; TV Kameramann, Jun 01<\/a><a href=\"https:\/\/www.christopher-rowe.de\/wp-content\/uploads\/2015\/01\/Film-TV-Kameramann-Jun-01.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-f6739756-3577-4deb-89bf-e2ddc9a2226a\">Download<\/a><\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p> &#8230; <a title=\"Press\" class=\"read-more\" href=\"https:\/\/www.christopher-rowe.de\/en\/ueber-mich\/press\/\" aria-label=\"Read more about Press\">Mehr &#8230;<\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":839,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":{"0":"post-844","1":"page","2":"type-page","3":"status-publish","5":"no-featured-image-padding"},"_links":{"self":[{"href":"https:\/\/www.christopher-rowe.de\/en\/wp-json\/wp\/v2\/pages\/844","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.christopher-rowe.de\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.christopher-rowe.de\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.christopher-rowe.de\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.christopher-rowe.de\/en\/wp-json\/wp\/v2\/comments?post=844"}],"version-history":[{"count":0,"href":"https:\/\/www.christopher-rowe.de\/en\/wp-json\/wp\/v2\/pages\/844\/revisions"}],"up":[{"embeddable":true,"href":"https:\/\/www.christopher-rowe.de\/en\/wp-json\/wp\/v2\/pages\/839"}],"wp:attachment":[{"href":"https:\/\/www.christopher-rowe.de\/en\/wp-json\/wp\/v2\/media?parent=844"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}